Browse by Combined Author & Editor

Up a level
Export as [feed] RSS
Number of items: 24.

Atkinson, Sarah and Kennedy, Helen W. (2016) From conflict to revolution: The secret aesthetic, narrative spatialisation and audience experience in immersive cinema design Participations, 13 (1). pp. 252-279. ISSN 1749-8716

Atkinson, Sarah and Kennedy, Helen W. (2016) Inside-the-scenes: The rise of experiential cinema Participations, 13 (1). pp. 139-151. ISSN 1749-8716

Atkinson, Sarah (2016) Gravity: Towards a Stereoscopic Poetics of Deep Space In: Spöhrer, Markus, ed. The Aesthetic and Narrative Dimensions of 3D Film: New Perspectives on Stereoscopy. Springer, Wiesbaden, pp. 71-85. ISBN 9783658094218

Atkinson, Sarah and Kennedy, Helen W. (2015) “Where We’re Going, We Don’t Need an Effective Online Audience Engagement Strategy”: The case of the Secret Cinema viral backlash Frames Cinema Journal, 8. pp. 1-24. ISSN 2053-8812

Lehmann, Jos, Atkinson, Sarah and Evans, Roger (2015) Applying Semantic Technology to Film Production In: Gandon, F., Guéret, C., Villata, S., Breslin, J., Faron-Zucker, C. and Zimmermann, A., eds. The semantic web: ESWC 2015 satellite events. Lecture Notes in Computer Science . Springer International Publishing, Switzerland, pp. 445-453. ISBN 9783319256382

Atkinson, Sarah and Kennedy, Helen W. (2015) ‘Tell no one’: Cinema auditorium as game-space – Audience participation, performance and play GAME, 1 (4). ISSN 2280-7705

Lehmann, Jos, Atkinson, Sarah and Evans, Roger (2015) Applying Semantic Technology to Film Production In: WaSABi 2015: 3rd International Workshop on Semantic Web Enterprise Adoption and Best Practice, 12th European Semantic Web Conference, May 31, 2015, Portoroz, Slovenia.

Atkinson, Sarah, Lehmann, Jos and Evans, Roger (2014) The DEEP FILM Access Project: Ontology and Metadata Design for Digital Film Production Assets In: The Second IEEE Big Data 2014 Workshop, Bethesda, Maryland, USA, 27 October 2014.

Atkinson, Sarah (2014) The performative functions of dramatic communities: conceptualizing audience engagement in transmedia fiction International Journal of Communication, 8. pp. 2201-2219. ISSN 1932-8036

Atkinson, Sarah (2014) Beyond the screen: emerging cinema and engaging audiences Bloomsbury, New York. ISBN 9781623566371

Atkinson, Sarah (2012) The view from the fourth wall window: crossmedia fictions In: Ibrus, Indrek and Scolari, Carlos A., eds. Crossmedia innovations: texts, markets, institutions. Peter Lang, Oxford, pp. 77-91. ISBN 9783631622285

Atkinson, Sarah (2012) Sparking ideas, making connections: digital film archives and collaborative scholarship Frames Cinema Journal (1). ISSN 2053-8812

Atkinson, Sarah, Cole, Marley, McCarthy, Marie and Weatherall, Sarah (2012) 1908: Body and Soul [Performance]

Atkinson, Sarah (2012) HEA/JISC Open Educational Resources case study, pedagogical development from OER practice: Film and audio-visual media OER: the case of SP-ARK, the Sally Potter film archive [Report (for external body)]

Atkinson, Sarah and Ćalic, Janko (2012) Audiovisual Media Open Educational Resources. The case of SP-ARK: The Sally Potter Film Archive In: ECLAP 2012: Conference on Information Technologies for Performing Arts, Media Access and Entertainment, Convitto della Calza, Florence, Italy, 7-9 May 2012.

Atkinson, Sarah, Casey, John, Follows, Christopher, Flint, Debbie and Mallinder, Stephen (2012) Disciplinary and Institutional Perspectives on Open Educational Practice in Art, Design and Media Studies: Opportunities and Challenges In: Proceedings of Cambridge 2012: Innovation and Impact - Openly Collaborating to Enhance Education, a joint meeting of OER12 and OpenCourseWare Consortium Global 2012, Cambridge, UK.

Follows, Christopher and Atkinson, Sarah (2012) Open Educational Social Media Content Groups and Networks within the Arts, Design & Media Education In: Cambridge 2012: Innovation and Impact - Openly Collaborating to Enhance Education, Cambridge University.

Atkinson, Sarah (2011) Multiple cameras, Multiple screens, Multiple possibilities: An insight into the interactive film production process In: Spencer, S., ed. Visual Research Methods in the Social Sciences: Awakening Visions. Routledge, Oxon, pp. 184-198. ISBN 9780415483858

Atkinson, Sarah (2011) Stereoscopic-3D storytelling – rethinking the conventions, grammar and aesthetics of a new medium Journal of Media Practice, 12 (2). pp. 139-156. ISSN 1468-2753

Atkinson, Sarah (2011) Surrounded by sound: the aesthetics of multichannel and hypersonic soundscapes and aural architectures The Soundtrack, 4 (1). pp. 5-21. ISSN 1751-4193

Atkinson, Sarah (2011) Teaching Off-Line Digital Video Editing On-Line: An Exploration into Editing and Postproduction Digital Pedagogic Practice In: Wankel, C. and Sibley Law, J., eds. Streaming Media Delivery in Higher Education: Methods and Outcomes. IGI Global, Hershey, pp. 121-135. ISBN 9781609608026

Atkinson, Sarah (2009) An Interactive Film Demonstration: Crossed Lines In: Iurgel, I.A., Zagalo, N. and Petta, P., eds. Interactive Storytelling: Second Joint International Conference on Interactive Digital Storytelling, ICIDS 2009, Guimarães, Portugal, December 9-11, 2009, Proceedings. Lecture notes in computer science, 5915 (5915). Springer, Berlin, pp. 328-331. ISBN 3642106420

Atkinson, Sarah (2007) Crossed Lines: the creation of a multiform, multiscreen interactive film Nebula, 4 (3). pp. 79-99. ISSN 1449-7751

Atkinson, Sarah (2007) The versatility of visualization: delivering interactive feature film content on DVD Nebula, 4 (2). pp. 21-39. ISSN 1449-7751

This list was generated on Wed Nov 22 02:04:18 2017 GMT.