Browse by Combined Author & Editor

Up a level
Export as [feed] RSS
Number of items: 25.

Atkinson, Sarah and Kennedy, Helen W. (2016) From conflict to revolution: The secret aesthetic, narrative spatialisation and audience experience in immersive cinema design Participations, 13 (1). pp. 252-279. ISSN 1749-8716

Atkinson, Sarah and Kennedy, Helen W. (2016) Inside-the-scenes: The rise of experiential cinema Participations, 13 (1). pp. 139-151. ISSN 1749-8716

Atkinson, Sarah (2016) Gravity: Towards a Stereoscopic Poetics of Deep Space In: Spöhrer, Markus, ed. The Aesthetic and Narrative Dimensions of 3D Film: New Perspectives on Stereoscopy. Springer, Wiesbaden, pp. 71-85. ISBN 9783658094218

Atkinson, Sarah and Kennedy, Helen W. (2015) “Where We’re Going, We Don’t Need an Effective Online Audience Engagement Strategy”: The case of the Secret Cinema viral backlash Frames Cinema Journal, 8. pp. 1-24. ISSN 2053-8812

Lehmann, Jos, Atkinson, Sarah and Evans, Roger (2015) Applying Semantic Technology to Film Production In: Gandon, F., Guéret, C., Villata, S., Breslin, J., Faron-Zucker, C. and Zimmermann, A., eds. The semantic web: ESWC 2015 satellite events. Lecture Notes in Computer Science . Springer International Publishing, Switzerland, pp. 445-453. ISBN 9783319256382

Atkinson, Sarah and Kennedy, Helen W. (2015) ‘Tell no one’: Cinema auditorium as game-space – Audience participation, performance and play GAME, 1 (4). ISSN 2280-7705

Lehmann, Jos, Atkinson, Sarah and Evans, Roger (2015) Applying Semantic Technology to Film Production In: WaSABi 2015: 3rd International Workshop on Semantic Web Enterprise Adoption and Best Practice, 12th European Semantic Web Conference, May 31, 2015, Portoroz, Slovenia.

Atkinson, Sarah (2015) Interactive ‘making-of’ machines: The performance and materiality of the processes, spaces and labor of VFX production Spectator: The University of Southern California Journal of Film and Television, 35 (1). pp. 36-46.

Atkinson, Sarah, Lehmann, Jos and Evans, Roger (2014) The DEEP FILM Access Project: Ontology and Metadata Design for Digital Film Production Assets In: The Second IEEE Big Data 2014 Workshop, Bethesda, Maryland, USA, 27 October 2014.

Atkinson, Sarah (2014) The performative functions of dramatic communities: conceptualizing audience engagement in transmedia fiction International Journal of Communication, 8. pp. 2201-2219. ISSN 1932-8036

Atkinson, Sarah (2014) Beyond the screen: emerging cinema and engaging audiences Bloomsbury, New York. ISBN 9781623566371

Atkinson, Sarah (2012) The view from the fourth wall window: crossmedia fictions In: Ibrus, Indrek and Scolari, Carlos A., eds. Crossmedia innovations: texts, markets, institutions. Peter Lang, Oxford, pp. 77-91. ISBN 9783631622285

Atkinson, Sarah (2012) Sparking ideas, making connections: digital film archives and collaborative scholarship Frames Cinema Journal (1). ISSN 2053-8812

Atkinson, Sarah, Cole, Marley, McCarthy, Marie and Weatherall, Sarah (2012) 1908: Body and Soul [Performance]

Atkinson, Sarah (2012) HEA/JISC Open Educational Resources case study, pedagogical development from OER practice: Film and audio-visual media OER: the case of SP-ARK, the Sally Potter film archive [Report (for external body)]

Atkinson, Sarah and Ćalic, Janko (2012) Audiovisual Media Open Educational Resources. The case of SP-ARK: The Sally Potter Film Archive In: ECLAP 2012: Conference on Information Technologies for Performing Arts, Media Access and Entertainment, Convitto della Calza, Florence, Italy, 7-9 May 2012.

Atkinson, Sarah, Casey, John, Follows, Christopher, Flint, Debbie and Mallinder, Stephen (2012) Disciplinary and Institutional Perspectives on Open Educational Practice in Art, Design and Media Studies: Opportunities and Challenges In: Proceedings of Cambridge 2012: Innovation and Impact - Openly Collaborating to Enhance Education, a joint meeting of OER12 and OpenCourseWare Consortium Global 2012, Cambridge, UK.

Follows, Christopher and Atkinson, Sarah (2012) Open Educational Social Media Content Groups and Networks within the Arts, Design & Media Education In: Cambridge 2012: Innovation and Impact - Openly Collaborating to Enhance Education, Cambridge University.

Atkinson, Sarah (2011) Multiple cameras, Multiple screens, Multiple possibilities: An insight into the interactive film production process In: Spencer, S., ed. Visual Research Methods in the Social Sciences: Awakening Visions. Routledge, Oxon, pp. 184-198. ISBN 9780415483858

Atkinson, Sarah (2011) Stereoscopic-3D storytelling – rethinking the conventions, grammar and aesthetics of a new medium Journal of Media Practice, 12 (2). pp. 139-156. ISSN 1468-2753

Atkinson, Sarah (2011) Surrounded by sound: the aesthetics of multichannel and hypersonic soundscapes and aural architectures The Soundtrack, 4 (1). pp. 5-21. ISSN 1751-4193

Atkinson, Sarah (2011) Teaching Off-Line Digital Video Editing On-Line: An Exploration into Editing and Postproduction Digital Pedagogic Practice In: Wankel, C. and Sibley Law, J., eds. Streaming Media Delivery in Higher Education: Methods and Outcomes. IGI Global, Hershey, pp. 121-135. ISBN 9781609608026

Atkinson, Sarah (2009) An Interactive Film Demonstration: Crossed Lines In: Iurgel, I.A., Zagalo, N. and Petta, P., eds. Interactive Storytelling: Second Joint International Conference on Interactive Digital Storytelling, ICIDS 2009, Guimarães, Portugal, December 9-11, 2009, Proceedings. Lecture notes in computer science, 5915 (5915). Springer, Berlin, pp. 328-331. ISBN 3642106420

Atkinson, Sarah (2007) Crossed Lines: the creation of a multiform, multiscreen interactive film Nebula, 4 (3). pp. 79-99. ISSN 1449-7751

Atkinson, Sarah (2007) The versatility of visualization: delivering interactive feature film content on DVD Nebula, 4 (2). pp. 21-39. ISSN 1449-7751

This list was generated on Thu Apr 26 17:09:02 2018 BST.