Putting painting in the picture ( photographically)

Lowry, Joanna (2006) Putting painting in the picture ( photographically) Journal of Visual art Practice, 5 (3). pp. 215-227.

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Abstract

It seems to be the case that when photography and painting become entangled, one becoming both a copy and a commentary upon the other, then a series of complex discursive issues get put into play. The photograph always seems to be in excess of the painting, engaging with it performatively, whilst painting is posed in these forms of contemporary practice, not as a single point of reference, to be mimicked or copied, but as a discursive presence troubling the security of the photographic image, producing a differentiated space of representation that opens up a more complex articulation of the way in which photography intersects with the field of the visible.

Item Type: Journal article
Uncontrolled Keywords: photography and painting, allegory, performativity, mimesis, the frame, Thomas Struth, Melanie Manchot, Andreas Gursky
Subjects: W000 Creative Arts and Design > W100 Fine Art
W000 Creative Arts and Design
W000 Creative Arts and Design > W600 Photography and Film > W640 Photography
Faculties: Faculty of Arts > School of Arts and Media
Depositing User: Ms Joanna Christine Lowry
Date Deposited: 12 Apr 2010
Last Modified: 18 Jun 2010 11:40
URI: http://eprints.brighton.ac.uk/id/eprint/6817

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