Lowry, Joanna (2006) Putting painting in the picture (photographically) Journal of Visual art Practice, 5 (3). pp. 215-227.Full text not available from this repository.
It seems to be the case that when photography and painting become entangled, one becoming both a copy and a commentary upon the other, then a series of complex discursive issues get put into play. The photograph always seems to be in excess of the painting, engaging with it performatively, whilst painting is posed in these forms of contemporary practice, not as a single point of reference, to be mimicked or copied, but as a discursive presence troubling the security of the photographic image, producing a differentiated space of representation that opens up a more complex articulation of the way in which photography intersects with the field of the visible.
|Item Type:||Journal article|
|Uncontrolled Keywords:||photography and painting; allegory; performativity; mimesis; the frame; Thomas Struth; Melanie Manchot; Andreas Gursky|
|Subjects:||W000 Creative Arts and Design > W100 Fine Art
W000 Creative Arts and Design
W000 Creative Arts and Design > W600 Photography and Film > W640 Photography
|Faculties:||Faculty of Arts > School of Arts and Media|
|Depositing User:||Ms Joanna Christine Lowry|
|Date Deposited:||12 Apr 2010|
|Last Modified:||08 Oct 2014 13:31|
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