Magnusson, Thor (2011) Interface investigations: the thinking behind tools for musical thinking In: Wilson, Scott, Cottle, David and Collins, Nick, eds. The SuperCollider book. MIT Press, Cambridge, MA, pp. 613-629. ISBN 0262232693Full text not available from this repository.
An interface is a field of abstractions where two systems interact with one another. We typically use this word for the locus where a human and a machine communicate. The interface can be as simple as an on/off button or it can be multimodal: a mixture of different types of hardware used to input commands into a system that responds through the use of screens, speakers, motors and haptic feedback. The computer is a meta-machine with no natural interface, unlike physical machinery where gears, buttons and wheels are natural extensions of the mechanism itself. This fact is problematized when the computer is used for music, as we have innumerable arbitrary ways of representing an interface to the audio system of the computer. It could be anywhere from a simple play-button to a custom written class that encapsulates the digital signal processing of an audio unit generator. The question here is that of purpose: what intentional bandwidth do we¬—as software designers—give to the users of our system? What degree of control do we provide and which interfaces do we present as affordances of the system, such that the cognitive processes of the user can be reflected in the machine signal?
|Item Type:||Chapter in book|
|Uncontrolled Keywords:||Musical Interfaces; Music; Programming; Open Source Software; Composition; Music Pedagogy; Education|
|Subjects:||W000 Creative Arts and Design > W200 Design > W280 Interactive and Electronic Design
W000 Creative Arts and Design > W300 Music
|Faculties:||Faculty of Arts > School of Arts and Media|
|Date Deposited:||23 Nov 2009|
|Last Modified:||08 May 2015 14:02|
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