Francis, Mary Anne (2007) Dirty work: art beyond ‘autonomy’ Journal of Visual Art Practice, 6 (1). ISSN 1470-2029Full text not available from this repository.
Francis’s research explores ways in which artists, in the last decade, have pervasively begun to contest the notion of ‘autonomy’ in art. Following her presentation ‘What work does the work of art do? A symposium with Art and Language’ (London Metropolitan University, May 2003), Francis was invited to write a paper for an edition on ‘art’s work’ for the Journal of Visual Art Practice. The paper addresses the current rise of artists ‘working in the world’ – with non-art forms. Drawing on Bourriaud’s writing on ubiquitous ‘Relational Aesthetics’, which does not expressly address the theme of art’s work, Francis developed a case study of the Danish art collective, ‘Superflex’, and specifically their ‘Biogas’, the installation of a dung-fuelled heating apparatus in rural Tanzania. The paper examines the issue of how such a work might be theorised, in the near absence (at the time of writing) of theory explicitly relating to such practices. The claim that art such as ‘Biogas’ works in a new way is made via a rigorous development of Linger's fleeting suggestion, during the course of his own insistence that ‘Biogas’ belongs to a different paradigm of practice as its work exceeded what art does when it is autonomous. The article has recently informed a bid (outcome pending) on ‘social art’ to the AHRC.
|Item Type:||Journal article|
|Uncontrolled Keywords:||Bourriards; Danish Art Collective; Aesthetics|
|Subjects:||W000 Creative Arts and Design > W100 Fine Art > W190 Fine Art not elsewhere classified|
|DOI (a stable link to the resource):||10.1386/jvap.6.1.33_1|
|Faculties:||Faculty of Arts > School of Arts and Media|
|Depositing User:||Faculty of Arts editor|
|Date Deposited:||26 Nov 2009|
|Last Modified:||14 Jun 2012 13:57|
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