Das Glashaus und andere optische Medien. Mies van der Rohe und die Montage der Bilder

Amhoff, Tilo (2006) Das Glashaus und andere optische Medien. Mies van der Rohe und die Montage der Bilder In: Gleiter, Joerg, Korrek, Norbert and Schramke, Sandra, eds. Wirklichkeitsexperiemente. Architekturtheorie und praktische Aesthetik. Verlag der Bauhaus-Universitaet, Weimar, Germany, pp. 363-377. ISBN 3-86068-295-4

This is the latest version of this item.

Full text not available from this repository.

Abstract

The essay explores the relationship between the introduction of photography and film and the consequent changes in the production, perception and theorization of architecture at the beginning of the twentieth century. The glasshouse projects of the German architect Mies van der Rohe serve as the crystallization of an architecture in which this process becomes most clearly visible. I am arguing that through the focus on their conditioning of perception and their transformation of the world into an image the theorizing of the glasshouse and the theorizing of the optical apparatus can coincide. The argument tests Walter Benjamin’s theses on the difference of perceiving an artwork and architecture and extends Beatriz Colomina’s work on the same subject matter. The starting point is Mies van der Rohe’s ‘Museum for a small town’ (1943). The text paradigmatically outlines the characteristics of his glasshouse projects and the accompanying photomontage is equally emblematic. In my reading of text and image I argue that the glasshouse could not begin “where two bricks were carefully joined”, but had to begin where two images were carefully joined. The relationship is discussed in detail in four, what I call logical relationships, between an optical media and a glasshouse project. These pairs are the Claude Glass and the German Pavilion (1930), the Camera Obscura and the Resor House Project (1940), the Film Camera and the Guericke House Project (1932), with a thorough excursion on Sergej M. Eisenstein’s ‘Montage and Architecture’ (1938), and finally the Panorama and the Tugendhat House (1928-1930).

Item Type: Chapter in book
Uncontrolled Keywords: glasshouse, optical media, photommontage, Mies van der Rohe
Subjects: K000 Architecture, Building and Planning > K100 Architecture
K000 Architecture, Building and Planning
Faculties: Faculty of Arts > School of Architecture and Design
Faculty of Arts
Depositing User: Mr Tilo Amhofff
Date Deposited: 20 Nov 2009
Last Modified: 18 Jun 2010 11:40
URI: http://eprints.brighton.ac.uk/id/eprint/6675

Available Versions of this Item

Actions (login required)

View Item View Item

Downloads

Downloads per month over past year