The musical score: the system and the interpreter

Magnusson, Thor (2011) The musical score: the system and the interpreter In: Proceedings of ISEA, Istanbul, 14 - 21 September, 2011.

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Abstract

This paper introduces live coding as a new path in the evolution of the musical score. Whilst being the perfect vehicle for the performance of algorithmic music, it also trans forms the compositional process itself into a live event, where play and generativity be come essential. Live coding is presented as a highly technologized artistic practice, often embracing graphical elements and language syntaxes foreign to standard programming languages.

Item Type: Contribution to conference proceedings in the public domain ( Full Paper)
Subjects: W000 Creative Arts and Design > W300 Music
J000 Technologies > J900 Technology not classified elsewhere > J930 Audio Technology
W000 Creative Arts and Design > W200 Design > W280 Interactive and Electronic Design
W000 Creative Arts and Design
Faculties: Faculty of Arts
Faculty of Arts > School of Arts and Media
Related URLs:
Depositing User: Thor Magnusson
Date Deposited: 04 Apr 2012 12:57
Last Modified: 21 May 2014 11:01
URI: http://eprints.brighton.ac.uk/id/eprint/10112

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