Magnusson, Thor (2011) The musical score: the system and the interpreter In: Proceedings of ISEA, Istanbul, 14 - 21 September, 2011.
ISEA2011_Magnusson.pdf - Published Version
Restricted to Registered users only
This paper introduces live coding as a new path in the evolution of the musical score. Whilst being the perfect vehicle for the performance of algorithmic music, it also trans forms the compositional process itself into a live event, where play and generativity be come essential. Live coding is presented as a highly technologized artistic practice, often embracing graphical elements and language syntaxes foreign to standard programming languages.
|Item Type:||Contribution to conference proceedings in the public domain ( Full Paper)|
|Subjects:||W000 Creative Arts and Design > W300 Music
J000 Technologies > J900 Technology not classified elsewhere > J930 Audio Technology
W000 Creative Arts and Design > W200 Design > W280 Interactive and Electronic Design
W000 Creative Arts and Design
|Faculties:||Faculty of Arts
Faculty of Arts > School of Arts and Media
|Depositing User:||Thor Magnusson|
|Date Deposited:||04 Apr 2012 12:57|
|Last Modified:||21 May 2014 11:01|
Actions (login required)
Downloads per month over past year