Magnusson, Thor (2010) An epistemic dimension space for musical devices In: Proceedings of the 2010 Conference on New Interfaces for Musical Expression (NIME 2010), Sydney, Australia, 2010.
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The analysis of digital music systems has traditionally been characterized by an approach that can be defined as phenomenological. The focus has been on the body and its relationship to the machine, often neglecting the system’s conceptual design. This paper brings into focus the epistemic features of digital systems, which implies emphasizing the cognitive, conceptual and music theoretical side of our musical instruments. An epistemic dimension space for the analysis of musical devices is proposed.
|Item Type:||Contribution to conference proceedings in the public domain ( Full Paper)|
|Additional Information:||Copyright © the author(s)|
|Subjects:||J000 Technologies > J900 Technology not classified elsewhere > J930 Audio Technology
W000 Creative Arts and Design > W200 Design > W280 Interactive and Electronic Design
W000 Creative Arts and Design > W300 Music
|Faculties:||Faculty of Arts
Faculty of Arts > School of Arts and Media
|Date Deposited:||04 Apr 2012 12:16|
|Last Modified:||08 May 2015 14:02|
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